
Curious Queries

I believe that AI and art are incompatible on an intrinsic level. I do not use AI prompts or employ AI artists in my professional work. Editing is a bit more of a gray zone, and I have used programs such as Grammarly in an attempt to catch mistakes I would otherwise not see. Using it this way, without utilizing such features as prompts and rewrite suggestions, keeps the use confined within the bounds of what I consider AI appropriate for. I want my words to be my words. Writer’s block is real, and can be a serious headache, but I do not agree with turning to an artificial source to tell me what to do next.
Hesitant about my use of the words “professional work” above? To the best of my knowledge I have purchased one article of AI inspired “art”, in the form of a gift for my aunt, as it was perfect for her history and tastes. I would be lying if I said that I never found any aesthetic value in AI “art”, however, I do attempt to avoid encouraging the form. Art comes from inspiration, from the unique perspectives garnered through life experiences; a strictly biological capability. Artificial Intelligence can do an amazing job of taking example sources, applying pleasing formulas, and producing something attractive to human sensitivities. It cannot be inspired. That, to me, is the defining difference.
For my books, I am partnering with Maple Press in Pennsylvania. Established in 1901, they are a completely US based printer, with printing and binding done in-house. While I love to support businesses (small, especially!) across the globe, I wanted to support someone based in my own country. I was impressed with their papers, and hope that you will find the books to feel of superior quality. Putting good work into your hands, rather than the cheapest materials, is something important to me, and I feel confident Maple Press can deliver.
My bookmarks are printed in The Dalles, OR, by a wonderful gentleman with his own private printing press. While I had reasons for choosing a larger press for the books, with distribution options should that become necessary for me, I am very happy to support someone extremely local, and excited to put his craftsmanship into your hands!
Yes! I do not know when I will be able to put audiobooks together, as they are typically an expensive endeavor, but it is something I hope to offer in a few years. Why not immediately? I am not confident that my narration would be the best experience for my readers, and refuse to have my work narrated by AI. Hiring an experienced voice actor and producer is worthwhile, but my pocketbook will have to look a little less thin before I can pursue it.
I would love for my work to be easily enjoyed by anyone in the world, and hope to translate into at least the five most commonly spoken languages (aside from English). Finances will dictate when this can occur, and given all factors, it is the checkbox after hardcover, boxsets and audio. If I discover there is a demand for my work in a particular country or two, I will endeavor to prioritize translations appropriate for those places, to better accommodate readers supporting me there.
I initially set out to do so, learning how to construct a query letter, doing my research, poking into whom I would want to query (Tor!!!), and generally steeling myself for the inevitable rejections and the long wait time of doing so. More research in the meantime uncovered the little fact that as a general rule, publishers are more inclined to take on authors who already have an established online presence with a following, the larger the better. I am rather socially reclusive, without the stamina to attempt to keep up a social presence. Furthermore, and of greater importance to me, publishers are expecting authors to be at the forefront of their marketing efforts. Now, I am not saying this is wrong, but, marketing is something I am absolutely horrible at, and was the primary reason I was looking to go with a publisher.
With that as a, to me, huge factor, a lot of the other little ones gained a bit more weight. I am less concerned with ensuring I write to expected story beats than I am with putting down the story as feels right, meaning I am technically in a higher risk bracket than those who write with more of an established market in mind. I am not knocking anyone or their approach, and am not saying I will never do the same. This is just my perspective and where I am now. In addition to being less likely to be picked up by a publisher, I was seeing more and more where I would have greater control going solo. I can choose my own artists for book covers, look for editors whom I work well with, give my work more and longer lasting attention than a year’s worth of effort, at the mercy of my capabilities rather than someone’s estimation of my worth. While I am not a control freak, I have come to appreciate such freedoms. Does it mean I would never work with a publishing company? Not necessarily. I know several authors do both, and appreciate some of the pros and cons of each.
On the flip side, I am solely responsible for everything, meaning I have to pick and choose the services I can afford, and hope that my efforts are good enough to satisfy readers in a market where indie authors, while increasingly common, are sometimes seen as and do produce work that doesn’t quite meet general quality expectations. In the end it is a terrifying, and exhilarating, endeavor.
Oh boy, lol! Time for some embarrassing admissions. I grew up reading what was in the house, and despite having a wonderful library down the road, tend to forget I can explore other authors and genres. In addition, and much worse, I seem to have become a difficult reader to please, and have not enjoyed the majority of books I’ve picked up; even some old favorites seem to have lost their flavor. However, I am working to continue to broaden my horizons, and hope to someday re-learn the joy of discovery. A hope that feels to be slowly realizing.
To answer the actual question, here we go!
Growing up it was my ultimate dream to become the next James Rollins. He has such a way of pairing really great action/adventure with fascinating historical intrigue. Fast paced, straight up fun and informative, picking up a new Rollins book is always going to be a great ride. As time and my own developing style have come to inform me, only Rollins can be Rollins which is, after all, how it should be.
A relatively recent and truly delightful discovery is Michael Koryta. Another thriller writer, Koryta has an unique way of making characters truly human, with fully engaging stories and some of the most beautifully bitter-sweet endings I have ever witnessed. They are also, often, touched by ghosts, which has a haunting sort of appeal difficult to ignore.
Adrian Tchaikovsky is someone I stumbled across in researching for my query letters. I lucked into his “The Final Architecture” series, which I thoroughly enjoyed. His work tends to be very questive, investigating thoughts at once bordering the whimsical while very firmly rooted in the tenants of science. I also love that he enjoys and employs all sorts of bugs, even if I’m a little guilty of not having read his Shadows of the Apt or Children of Earth series just yet. Intelligent jumping spiders as a primary race and faction? Yes please!
I’m a bit late to the party, but I’ve finally picked up a couple of Brandon Sanderson’s works, and have greatly enjoyed them. I think I understand why he’s called the King of Fantasy.
One of my very, very favorite books is “Freckles” by Gene Stratton-Porter. The language is poetic, enchanting, and it’s impossible not to love Freckles and his Swamp Angel. The heart, the spirit portrayed is something special.
On that note, I love “Robin Hood”, the “Scarlett Pimpernel”, and I’d be lying if I said I didn’t have a used copy of “Pride and Prejudice” sitting on my shelf. Shocking, right? I have discovered that I do not love all of John Ringo’s work, but “Vorpal Blade” is an absolute blast, and some of the best mix of fun and hard science out there. I’m not usually one for reacting verbally to the things I read, but I was consistently chuckling when I recently re-read it. Another book that left a mark with me is Jean Lee Latham’s “Carry On, Mr. Bowditch”. It’s for a younger audience, but beautifully demonstrates what not giving up, and sharing your strengths, can accomplish.
There are, of course, other authors whose work I have enjoyed, as well as influences small and major that I am not including, otherwise this would be a long post not very specific to the question.
A few reasons! Most of which boil down to quality control.
First, let’s address Amazon. I have read some very concerning reports that they are taking books down, especially Indie, without justifiable cause, warning or prior notification. Worse, they are altering eBook content without authors’ knowledge or permission. This is simply unacceptable. It would appear to be a case of being too big for their britches. With over 80% of the bookselling market passing through their hands, it’s easy to see why. Secondly, I don’t want to use their printing services. While you can get a subpar batch of books from anyone, it seems the printing quality (and resulting customer experience), varies considerably, with an emphasis on “affordable” materials. I feel far more confident in Maple Press’ ability to consistently produce a superior product to these services.
Other outlets, such Barnes and Noble, for example, are places I would like to get into. Being an self-publisher does not mean it is impossible for me to do, but I have not yet bent my energies to pursuing striking the deals that, again, would allow me to use Maple Press’ craftsmanship for the consistency in product that I am looking for rather than relying on the various built-in print on demand services. I don’t at this time have the capital to print the numbers of books such arrangements would require, or to offer the buy-back options that can be common with such outlets.
If you’re looking for me in your local library, it can be helpful to request the book through your librarian, as books do not always get picked up within those circulations without the interest.
So what am I doing?
In the meantime, you can order directly from me! I will also be looking to get into local bookstores*, organizing and joining local author events, and doing mini book tours or choosing towns and cities to set up in for a day or a weekend. When I know about these events ahead of time, I will update the events page on the website. Currently, these plans are for the Pacific Northwest, with hopes to do medium-sized book tours in neighboring states.
*If you happen to be in the Goldendale area, stop by Apollonia Books on Main St! It’s a small independent store, run by a wonderful gentleman. He shares the building with Crush Smoothie and Juice Bar. Grab something tasty with your next read!
While I dream of fully custom things, I am at the moment, relying mostly on free pictures to make this a homier, more exciting place to be. To the best of my knowledge, these are not AI generated images. My gratitude to the sites and persons who make such things possible for many more people than me. At the moment, they are:
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